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................................................................................ ................................................................................ ................................................................................ ................................................................................ -clad women, many with young children in tow, swarmed outside the closed gates of an auditorium in Taman Mini, a popular recreational park in east Jakarta.A brawny, black-maned figure wielding a bow and arrow pouted suggestively from a phalanx of promotional banners that lined the street, with the title — Arjuna’s Arrow of Love — printed above.

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Strobe lights criss-crossed the auditorium, and an overwrought score thundered from the sound system.This was the set for the live broadcast of reality show”, the Indonesian series follows a familiar trope: 15 young women start out sharing a house, and compete in daily challenges as they vie for the attention of a desirable hero.But in this case the hero happens to be someone who speaks no Indonesian, and had only been in the country for about a month when the show started: the Indian actor Shaheer Sheikh, who played Arjuna in the 2013 television series was aired just prior to each day’s opening matches.As I waited for well- built men to take to the football field, I ended up watching well-built men in faux-gold jewellery fighting with magical weapons instead.For centuries, many parts of the Indonesian archipelago were majority-Hindu.

By the 7th century CE, Hindu-Buddhist kingdoms dominated both Java and Sumatra — Indonesia’s two most populous islands.Ever since, Hindu cultural norms have infused indigenous mores, even after large-scale conversion to Islam in the 16th century.References to the epics are everywhere in Java — the language, the street signs, the political commentary.ANTV soon discovered that the ratings for the mythological series were higher than those for the football.At its peak, the show reached 7.6 per cent of Indonesia’s television viewership; the World Cup final reached only 6.2 per cent.I met with Kelly da Cunha, ANTV’s general manager of production, in a boxy backstage room a few hours before filming for the elimination round was to begin.